The temple is perhaps the earliest specimen of Pithadeula style and signifies a cusp between the earlier and later styles of temple architecture. Many artistic styles first seen here were later perfected and used elsewhere. In that sense, this temple can be thought of as the laboratory where the Odisha architecture, as we know it today, took birth.

The presence of an intricately carved Torana, with hints of Buddhist influence, distinguish it from other temples in Odisha. It is small compared to the other temples and more than makes up for that by its serene beauty. The perfection of proportion and perspective, the delicateness of design and exquisite carvings give it the tile of the ‘Gem of Odisha architecture’. The design of Jaganmohana, intricately latticed windows and the figurines of Ganga, Yamuna, Rahu, Ketu and Gajalakshmi are beautifully done. The ceiling has detailed carving on it however, the lack of proper lighting made that difficult to see.

There are many shrines around the main temple with deities in them. A small pond lies at one corner of the temple enhancing its beauty even further. As per the local legends, taking a dip in this pond can cure one of infertility.